Artistica Tayectoria
EXHIBITIONS
2004 Paintings and Drawings, Gallery Girl Morales, Cartagena
1998 Recent Works, Municipal House of Culture of Valledupar.
Caprichos 1997 in Green Gallery Goyas. Bogotá DC
Caribbean 1996 Colours, Flamingo Road Gallery, Bogotá DC
1987 Window to the Caribbean, House of Americas, San Juan de Puerto Rico.
1995 Light and Shadow, Flamingo Road Gallery, Bogotá DC
1994 Window to the Caribbean, Building Chapel Marco Fidel Suárez (Palacio de San Carlos) Ministry of Foreign Affairs, Bogotá DC
1994 Still Life, Weiss Sori Fine Art, Miami, Florida USA
1990 Drawings, Paintings and Sculptures, Gallery easel, Valledupar.
Suggestive Calabazos 1988, Gaston Abello Chamber, Chamber of Commerce, Barranquilla.
? Calabazos insinuating Showroom, Granahorrar, Santa Marta.
1987 Cesar Twenty Years, House of Culture, Valledupar, Colombia.
1986 The Calabazos, Institute of Culture and Tourism of Cesar, Valledupar.
1985 XVII Vallenato Legend Festival, Instituto de Cultura del Cesar, Valledupar.
1983 The iconographic design of the Arawaks, Casa de la Cultura, Valledupar.
bold "> EXHIBITIONS
2006 Erotic Art Gallery, Carlos Nieto, Bogotá DC
2005 Paintings and Sculptures, Gallery Art & Securities, Bogotá DC
2004 Contemporary Artists Collective, Club ECOPETROL, Bogotá.
? New Realism, Sculpture and Paintings, Mery Palma Gallery, Panama City.
2003 Realism II, Bronxville Art Gallery, New York, USA. UU.
? Latin American Art, La Boheme Fine Art, Miami, USA. UU.
? Art Miami 2003, Fine Art, Miami, USA. UU.
? A crop of Art for Peace, The Country Club, Bogotá DC
Chritian's New York 2002 Arborizarte (Grand Auction Urban Sculpture), Bogotá DC Lizard Club
? Latin American Art, Francisco Nader Gallery, Santo Domingo, Dominican Republic
? Large Format Color and Shape Gallery, Medellín, Colombia.
Realism II, The Wall Gallery, Dan Carton Hotel, Bogotá DC
2001 Window to the Caribbean, Colors Gallery San Juan, Puerto Rico.
? Arborizarte (Great Exhibition of Urban Sculpture) Green Heart Foundation, Plaza de Bolívar, Bogotá DC
2000 Realism, Sori Fine Art, Miami, Florida USA
1999 Figures, School of Fine Arts in Valledupar.
1998 Small Format, Gallery Goyas, Bogotá DC
1996 Collective. Modern Art Gallery. Bogotá DC
1995 12 Artists Collective, Gallery Cristher Cristiam. Bogotá DC
1995 Space and Time in four Artists, Exhibition Hall, Cattle Bank, Bogotá DC
Still Life 1994, Hyatt Regency, Tampa Florida USA
1992 Tribute to Maestro Alejandro Obregón, Art Gallery of the Country Club, Barranquilla
1990 Great Collective Contemporary Painters, Art Gallery Cesar, Bogotá DC
1989 Paintings & Painters, House of Culture, Valledupar.
? First National Exhibition of Still Life, Bolivarian Museum, Santa Marta.
1988 The Painting Vallenato, Planetarium, Bogotá DC
1987 Art in the Cesar, Convention Center, Gonzalo Jimenez de Quesada, Bogota DC.
1987 Four Artists from Valledupar, Multiple Room, Teatro Amira de la Rosa, Banco de la República, Barranquilla.
1986 The Collection of the Palace of Nariño. National Museum. Bogotá DC
Navidarte 1986 in Candelaria, Casa de la Independencia, Bogotá DC
XXIX 1985 National Exhibition of Visual Arts, National Museum. Bogotá DC
1985 Art of the Colombian Caribbean. Centro Colombo Americano, Barranquilla.
? Colombian Caribbean Art, Museum of Modern Art, Cartagena.
1985 Art of the Colombian Caribbean, National Library. Bogotá DC
Valledupar 1985 435 Years of Culture and Tourism Institute. Cesar. Valledupar
1984 Features Regional House of Culture, Valledupar.
? Group Exhibition, Fine Arts School Opening in Valledupar.
? V Regional Chamber of Visual Arts, Museum of Modern Art, Cartagena.
1983 Cesar Arts, Casa de la Cultura, Valledupar.
1982 Regional Plastic, Casa de la Cultura, Valledupar.
Brief Bio
Colombian artist interested in painting, sculpture and prints. in 1980 after completing his basic studies discovered his passion for art, try to study at the School of Fine Arts in Valledupar but withdrew, their expectations were different, while still a student, is selected in the V Regional Visual Arts Exhibition held in Art Museum Modern Cartagena (1984) along with a group of artists of the Colombian Caribbean for the XXIX National Salon of Visual Arts, National Museum of Colombia to jointly organize the first major retrospective of the master Alejandro Obregón. Regarded as one of the promising young Colombian art of the eighties to mid-1985 were exhibited in the House of Culture of Valledupar, in 1988 he was invited by the Gallery in Santa Marta Granahorrar immediately after he was invited to exhibit at Gaston Abello room of the Chamber of Commerce of Barranquilla with outstanding success. His Works, daily utensils represented mostly still-lifes, painted with craft and expertise, help to cement its reputation in the eighties. At the beginning of the next decade, he moved to Bogotá, begins by making large-scale works with highly simple and magical realism, is invited to exhibit their works in the Chapel Building Marco Fidel Suárez (Palacio de San Carlos) Ministry of Foreign Affairs Bogota. His work marked the boundary between painting and sculpture, which is why in 1993 he made his first sculptures in bronze. used in the new century style usually minimal and substantially reflects the aesthetic economy of contemporary painting . Although his paintings of still life with mangoes, watermelons, melons ..., windows, and large-format landscapes (2001), are faithful to a simplified pictograph, maintain an undeniable physical presence of being able to make tangible something seemingly surreal. His pieces often resort to detail and possess much of them, interest in exploring new ways of seeing art. In 2004 the gallery exhibits Chica Morales in Cartagena where he is an approach to popular art ( Pop Art ) presence of this reflected in his works of the years 1984-1988 "After the Town" and "my grandmother when tinajero was new, "among others, performed both portraits, interiors, landscapes and still life characterized by clean lines, flat colors and bright, highlighted in his work the virtuosity of his drawing and the decorative sense. It has also made some inroads in the graphic design based on the iconography of the backpacks and arhucas abstractions